Apichatpong Weerasethakul Sag Dress (2025)

1. With Grain: A Q&A with Apichatpong Weerasethakul

• 15 jun 2012 · The acclaimed Thai filmmaker sits down with novelist Katie Kitamura for a conversation about narrative vs. storytelling, black magic, and migrant populations.

• The acclaimed Thai filmmaker sits down with novelist Katie Kitamura for a conversation about narrative vs. storytelling, black magic, and migrant populations.

2. APICHATPONG WEERASETHAKUL - THIS LONG CENTURY

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• — When I was young a close friend told me about a black man on the ceiling. The guy would cling to the upper corner above his bed like a lizard and stare down at him with luminous red eyes. For a long time this image persisted in my nightmares. I lost touch with the friend and didn’t see him again until two years ago, when I ran into him at a reunion. He had become a dentist, and I doubt he remembered that man on the ceiling. Whatever the case, the black man has somehow become a part of my bedroom, and I have seen him on the ceiling many times since.

3. Early and Obscure Apichatpong Weerasethakul | Eye Filmmuseum

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• In deze speciale vertoning zijn tien zeldzame korte films te zien die Apichatpong Weerasethakul eerder in zijn carrière maakte, voordat hij de Gouden Palm won in 2010. Met inleiding door gastprogrammeurs Bram Ruiter en Hugo Emmerzael.

4. Ghost in the Machine: Apichatpong Weerasethakul's Letter to Cinema

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• £Ë Ee¢ªöêHV:=h¤,œ¿¿ ŒÝ ±Žëùþ_ý´ú¸*‰®¨¶Š´üՇeÊ#Û=vÛkÉ뙑tt@ò’ Ø X—ëœ ò÷Ï6}IºQ¸~•iþÿڎx‹ý±Þàë€)R{P‡zz¦çèÖu¿¹#Q• Ò¬ª„+„àû.ö¿ÿ4¬zµø«%ÿ_µtˆ“ œréÎgK§ ‡» ¹º÷¾Wü Y €PH*ÀP€¤î?àä€av©8”Ä‘)if—”&D'Rb!­¦v¶Ð8¤2-Eiw6¤ÜÔ`ð±6ÆʳEeoQTvQºèì¿Ô/ pιô{Ý [è–$Û@ò7,ÏäûZ-ÙÀ6iClB†Ëø¤âÞǘõý\—Š€ˆî¬ÇP±Ý=­F%ˆø‘[5£ú_Ȇ Ð4¬7"jìçCí^û¼þš"LI2(úZUþçZK¢ˆîÙjߟ»ŠˆŠ&.6™€þ—Ó—×ËÕ«Î^z¨è÷ëcœåढ़¾~ÞËé–èZmúõËrÿúå7º{T™”ïYëñÐs¡`,b¤æ 6œñƒãO"´ä|z¼•Ê3v tqø¸DäÚò¬º×ŠÊYўso¿|ì‚NLpwht<ë(&ûg1¡ê ÅYLp¹ŸÅYL„}¯Mÿ®N›ÂÊKÏóòÊÒÔ-|T .ÅO´Û›Ô\ʏ-x‰ §#ÂÎÎü3TÛ~ýÚ«òZšØÔvqa¬àxD?øõË7z±\\ÔZY-1Üq£|ïfƒpô‚$©HQXÍâ ,œÿ¬5wØÀre·µÚôp„¶¨Õæ½;…G¡ª”“i'¯#ß w€÷ÚôÒ0½€h? ,NÄ[•[ˆ›ÂÌÆׁL³”—ÇNšëßB’qþa:k?ƒ’yN’"íVä,œÈFë'[lp6ÅñDZ!šâx:Þ4WfL\ûC¸h:7ÍïZ?ùŒvØo÷=8z«lc7Ús‹Ñ!óU*ÎÁ‰ða¿ëÙHp˜çʆÒj¢^ –'^:7¿¿ÔäÛþ×ú‰åÕ(eYrî®ßêû[sqáï¿ åí}°Þrw ëÄêâÂW¥yá=x/šñ‚¤æ ‡Ñnü£ã]¡X_^I,d'²…+q«t¯bV¸SðiÈx† уã–pkÑúX^ÃaXZ)jŒÕçë#‰¢F)Ï°¿ æþVß_\ø¾6š+­6Îg¸ñv"ÛAÍÍ%Ÿ¢ÃV›w¼Þ8m ŽJüʳ­¾+uHzàâÂwe´õÖÝD+ÊÒ¼r¡ô=—|5JI0(ð–Ý—ÅS`ï.K ZÄ[v/= €çcØr¸æ‚`écp§ƒPÆTþ´|I!wª³R]\¨³R‡Žw¿~À,î❕,/8 È~JN™õ0ÐÛ×n,ºÒËh’aÅ{,gYSw–V•+gÇl©)3:m’Ÿ¥P[s‰e²°ºqn ø×(¶å¬§"‡Üó㻛Ý>ï¤PO`P–Þ`t+$öªxi¶EuýЅÚtѾUQ£>«Ñ•vö™]އvǤ=!žï©èy‡ô2“qWœ|+.`•t÷±ú -§hŒgûtrü~–¯gh…CôàD/~b;á6©í þ©¹upýîw(l“8\jf4·îòH,°Ó¦ZY?‘,ê(½œfïO=h'E·qð>l´u‰ú¿Þg^o„®Qo¸´êà¢á݆?ò¿ÿãÿYø„Ρ§áPØs 7f\×zÀcÖÖN3ýùØVFG·9:‘iÕ\éz–’-¢¨†XAm­d­gùÆn†vmŠº ÒÁÉM”³ï'Ñ]ÆRùZ NS/N uj)cV©k.‘W7 ÕÃ÷k'1®x%F?GçA+˄ê«ÅÁÉ£‘ˆ­²a,ú¤ˆd"R”]へân·ëU>ÑbE¡u"/ömœÀòGÂbFٜƫƊ$/òìcc0EùÙôømÊR'â<-r–Ñ]¡§M„#ËyˆvîjñÍ:©yc£„Å,bó軪%¾ÖZõˆôëF;ÑdÅöIš\£æ?*=Qs }¾0Ÿ¹y‚¯h¸²Z¹Y²Û çÐ57 ¾Uvì{...

5. Apichatpong Weerasethakul - Eye Filmmuseum

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  See Also

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• Apichatpong Weerasethakul navigates between feature film production and the assembly of spatial film installations in museums. He makes films that are specifically about their native soil – Thailand – and that actually take place there.

6. 7 Things to Know about Apichatpong Weerasethakul | Bozar Brussels

• 20 aug 2024 · Apichatpong Weerasethakul is a versatile visual artist who has made an impressive range of video installations and performance art.

• Here are a few (more or less useful) curiosities on the atypical filmmaker and his multi-award-winning meditative works.

7. Ghosts in the Darkness, Apichatpong Weerasethakul, 2007 - Sabzian.be

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• If you notice the people around you while watching a film, you will see that their behaviour is like that of ghosts, lifting up their heads to look at the moving images in front. The cinema itself is like a coffin with bodies, sitting still, as if under a spell. The moving images on the screen are camera records of events that have already taken place; they are remains of the past, strung together and called a film. In this hall of darkness, ghosts are watching ghosts. 

8. Tilda Swinton Joins Hands With Apichatpong Weerasethakul For ...

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• Apichatpong Weerasethakul shares his experience working with actress and friend Tilda Swinton on a photoshoot in Chiang Rai.

9. With Grain: A Q&A with Apichatpong Weerasethakul – Page 2

• 15 jun 2012 · The acclaimed Thai filmmaker sits down with novelist Katie Kitamura for a conversation about narrative vs. storytelling, black magic, and migrant populations.

• The acclaimed Thai filmmaker sits down with novelist Katie Kitamura for a conversation about narrative vs. storytelling, black magic, and migrant populations.